SVOD vs FAST Channels: How Free Ad-Supported TV Is Changing Media
Subscription streaming asked viewers to choose. FAST asked them to do nothing at all. That difference in friction turned dormant catalogue into a functioning advertising business.
Streaming
Subscriptions, ad-supported tiers and content amortisation: the real economics of streaming.
5 articles
Streaming Wars: How the Netflix and Disney+ Revenue Models Actually Differ
One company sells you a subscription. The other sells you a subscription so it can later sell you a cruise, a toy and a theme-park ticket. That single difference explains almost everything about how Netflix and Disney+ report their numbers.
Canal+ vs France Télévisions: The Battle for the French Streaming Market
One sells access and bundles everyone else's services inside its own. The other gives its content away and is judged on whether the nation watched. They are not competing for money; they are competing for time.
The Business Model Behind Live Sports Rights in Europe
Sports rights are the only content in television that cannot be substituted, cannot be delayed and cannot be pirated without losing the point. That is why they cost what they cost.
How Spotify Pays Music Labels vs Independent Podcasters
Musicians are paid from a shared pool they cannot influence. Podcasters are paid from advertising sold against their own audience. Same platform, opposite bargaining positions.